About

Ron Sexsmith

For Ron Sexsmith, there’s always a trigger to an album, something that sets in motion the songs he’s writing not exactly as a concept, but certainly a theme or feel. His last album, Forever Endeavour, was born of a health scare while its predecessor Long Player, Late Bloomer was born of disillusionment. 2015’s Carousel One, however, finds Sexsmith in surprising territory for a man often pegged as a downbeat balladeer: he’s actually contented.

“Oh I hope so. Long Player was quite a grumpy record,” Sexsmith says. “It was uptempo musically but lyrically… not so much. I didn’t realize until we were putting the songs together for Carousel One that this would be more outgoing, there's a lot more humour. I mean, there’s even a smiling picture on the cover, which I’ve never had before. I just hope it doesn’t scare the children.”

Self-deprecating almost to a fault, Ron has been a critical success ever since his self-titled debut back in 1995, winning the admiration of major league songwriters such as Elvis Costello and Paul McCartney along the way. Commercial success, however, has not been so forthcoming for the boy from the blue-collar town of St. Catharines, Ontario.

“Well,” he chuckles, “I guess I was chasing stardom at one point, but then I stopped. To be honest, I think the lack of commercial success has been more annoying to the folks around me. I sometimes get people saying ‘Why aren't you playing stadiums?’ Well, it's certainly no mystery to me why I’m not. It’s just not that kind of music. I really didn’t expect the Long Player album to do as well as it did either. Not that it sold like "Lady Gaga" but it did do pretty wellfor me. It even led to us headlining the Royal Albert Hall in 2013. My career was given a much needed kick in the pants which I didn't see coming. I thought those days were gone for me, but it definitely reawakened a dormant fan base, especially in the UK. Since then, I feel like I've got my career back.”

Long Player, Late Bloomer was a big, glossy sounding album, helmed by fabled producer Bob Rock, which Sexsmith followed up with the more acoustic Forever Endeavour in 2013. Carousel One however, sits somewhere between, with fulsome production but minus Bob Rock’s airbrushing. The result is a warm, deeply involving set of songs that showcases Sexsmith’s great empathy and occasional sentimentality, but also his often-overlooked playfulness. Although the sound and feel are inspired by ‘70s albums from the likes of Phoebe Snow and Gerry Rafferty, it’s a record that sounds very fresh and modern.

“That may be because of how quickly we made it,” the singer explains. “I only had the musicians for five days so we recorded 16 tracks in that time. We were recording within 10 minutes of me walking in the door. I’ve never been a fan of being in the studio, but I do love it when the music is actually happening, and those were action-packed days.”

Producer Jim Scott - introduced to Ron by mutual friend Kevin Hearn from Barenaked Ladies - assembled a seasoned band to play on the album: bass player Bob Glaub, whose previous clients include John Lennon, Lucinda Williams, Jackson Browne, Warren Zevon, Dolly Parton, Graham Nash and hundreds of others; guitarist Jon Graboff (Norah Jones, Ryan Adams); drummer Don Heffington (Bob Dylan, Emmylou Harris, Lone Justice); and keyboard player John Ginty (Dixie Chicks,Whiskeytown, Neal Casal, Matthew Sweet).

The relaxed atmosphere undoubtedly spills over into the songs, particularly on the rockier tracks such as ‘Getaway Car’ and ‘Can’t Get My Act Together’.

“I've been sort of pigeonholed as a balladeer which I never really understood,” Ron says, “maybe I'm not as convincing when I try to ‘rock out’ sometimes. At home I listen to mostly ‘50s radio, I really love the way those songs kinda swing and so that's what I was trying to do on ‘Getaway Car’.”

Carousel One (named for the luggage retrieval belt at Los Angeles airport where bags off Toronto flights are delivered) is probably Sexsmith’s most diverse album, another “happy accident”. Songs like ‘No One’ came from the idea of attempting to write in the vein of Roger Miller. Opening track ‘Sure As The Sky’ originated as a folky campfire song but it turned into more of a folk/rock number.

“I was writing that one and thinking of how Judy Collins did the song ‘Turn! Turn! Turn!’ before The Byrds had recorded it and how they went and turned it into something more anthemic"

‘Saint Bernard’ meanwhile, is a tribute to an anonymous family dog from a photograph picked up in a second-hand shop by Ron’s wife, Colleen. It’s the perfect example of how he can make even a wistful, nostalgic song turn with a touch of humour, equating the dog that saves him as his own personal minibar.

“They’ve always been my favourite type of dog. I was sitting in the kitchen one day playing guitar, I had this melody but no lyrics, so I looked up at the picture and just started singing the opening lines. I guess the album is kind of a travelogue of music that I like which was mostly a happy accident”

So, here’s to happy accidents; raise a glass to Ron Sexsmith’s Carousel One and his new-found contentment.

events

Upcoming Events

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13
May
19:30 22:30
Ron Sexsmith
Beach Fire Entertainment presents... An evening with RON SEXSMITH (perform...
$34.25
Alix Goolden Performance Hall

Past Events

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23
Sep
2015
Ron Sexsmith
$32.50
Rio Theatre
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29
Sep
2013
20:00 22:00
Ron Sexsmith, Jenn Grant
Deftly poetic, gently affecting songs that perfectly distill the pitfalls of bei...
$28-$37.50
The Farquhar at UVic
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17
Jul
2011
17:00 18:30
Current Swell, Ron Sexsmith, more...
Kulth Music festival
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02
Apr
2011
22:00
Ron Sexsmith, Plus Guests
$25
St. Ann's Academy Auditorium
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01
Apr
2011
Ron Sexsmith
on sale on sale Friday, January 28 @ 10am
$29.50
Rio Theatre
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04
Oct
2008
Ron Sexsmith
The Chan Centre for the Performing Arts
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12
Feb
2008
Feist, Ron Sexsmith
$59-$69
The Orpheum
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15
Apr
2007
15:00 17:00
Alain Trudel, Veda Hille, Sarah Slean, Ron Sexsmith, Marc Déry, CBC Radio Orche...
Four Great Canadian Songwriters: Joni Mitchell, Gordon Lightfoot, Buffy St. Mari...
$16-$23
Chan Shun Concert Hall @ The Chan Centre
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04
Dec
2006
Ron Sexsmith, Jill Barber
With all of my previous records, there are always things that bother me now when...
$25
Alix Goolden Performance Hall
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02
Dec
2006
20:00
Ron Sexsmith, Jill Barber
On sale Fri, Sept 8 @ 10am After releasing a number of records of melodic, em...
$25
Vancouver East Cultural Centre
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01
Dec
2006
20:00
Ron Sexsmith, Jill Barber
http://www.ticketmaster.ca/event/11003D1F6C9EDE3B?artistid=775070&majorcatid=100...
$25
Vancouver East Cultural Centre
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28
Jun
2005
Ron Sexsmith
Ron Sexsmith Toronto-based Ron Sexsmith is an award-winning Canadian music icon...
The Orpheum
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02
Nov
2004
Ron Sexsmith, Sarah Slean
The Commodore Ballroom
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29
Oct
2004
01:00
Ron Sexsmith, Sarah Slean
Tickets On Sale At Ditch, Lyle's Place, The Central And From Ticketweb.com S...
Central Bar & Grill
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18
Sep
2003
Ron Sexsmith, Adam K & Antonia
Advance Tickets Available At Lyle's Place, Ditch, Central Bar And Grill, and tic...
$12
Central Bar & Grill
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21
Mar
1998
Ron Sexsmith
The Starfish Room
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28
Sep
1994
Robyn Hitchcock, Ron Sexsmith
The Town Pump